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If there is any production line at all, it is this movement of learning – a cherished inheritance of a lifetime’s work passed through generations. Now that McBain has retired (although he is still very much part of The Balvenie family), Singer has taken on an apprentice of his own. Beginning as a maintenance engineer, McBain took him on as an apprentice. “If coppersmithing by hand were to stop, the magic and pride would be lost,” says Singer, who has been at the distillery over 20 years. When you sip The Balvenie whisky, you know it’s forged by the love and dedication of the people who work here.ĭahye Jeong’s finished piece The Balvenie

Much like almost every facet of The Balvenie’s journey from grain to dram, it is overseen by hand, one of the only distilleries to conserve such methods – and for good reason. I think preserving craftsmanship is not just about preserving dexterity, but about preserving culture, and that culture is a process of getting to know the past me that made me who I am today.” It is this wisdom we see when McBain climbs into the copper still, which relies on the careful stewardship of coppersmiths such as McBain and his colleague George Singer. I also felt that I was interacting with the people of that time by looking at the relics. 'I understood the personality of the person who tied it together. “I could see the lives of people in those days when they used horsehair crafts,' she revealed. Much like The Balvenie, she views craft as distinctly tied to human stories. Previous contributors include Korean artist Dahye Jeong, recipient of the 2022 Loewe Foundation Craft prize, who contributed to the Maker's Project in 2022 with her extraordinary basket-like vessel made of horsehair.

'The Balvenie whisky is forged by the love and dedication of the people who work here'

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